Art music in Kosovo: an overview of existing literature (1975-2015)

Abstract

This article provides an overview of the development and challenges faced by art music in Kosovo from 1975 to 2015. Despite Kosovo's rich musical tradition, academic musicological research has remained limited, particularly in understanding the origins and growth of art music. The research highlights the lack of systematic data collection and preservation, which has hindered the documentation of Kosovo's musical history. Although the Kosovo Composers' Association existed from 1975 to 1980, it was unable to produce significant musicological works due to political instability in the 1980s. Additionally, the absence of trained musicologists and a dedicated musicology department at the University of Pristina has exacerbated this issue. The article also discusses key individuals who have made significant contributions to the promotion of Kosovo’s art music, such as musicologist Engjëll Berisha. His works, such as Studies and Writings on Music (2004), offer critical perspectives and analyses of local composers and the challenges faced by the genre. Other important contributors, including composers like Zeqirja Ballata, Rafet Rudi, and Rexhep Munishi, have made significant strides in documenting and analyzing Kosovo’s art music. Despite limited publications, music festivals and public discussions have provided some platforms for the exchange of ideas. However, the article concludes that there is a need for a more robust and organized effort to strengthen the academic and public discourse on art music in Kosovo, encouraging further research, publication, and recognition of local composers.