A review of the book: Gjurmë të Qamilit të Vogël në muzikë (Traces of Little Kamil)

Abstract

The city of Gjakova, beyond its historical, social, and economic significance, is renowned for a range of cultural characteristics recognized both nationally and internationally. Among these, the Gjakovar aheng—a musical tradition deeply rooted in the city's cultural memory—occupies a prominent place. Originating in ancient times, this tradition symbolizes the sanctification of life and reflects the citizens’ devotion to preserving their cultural heritage across generations. The aheng tradition embodies a synthesis of various artistic expressions, combining folk singing with instrumental music, dance, popular games, blessings, rituals, and ceremonies. It may be understood as a form of folkloric theater, wherein these elements interact to generate a symbolic code shared and interpreted collectively by participants and performers. This monographic study aims to analyze and bring to light specific characteristics of one of the most iconic figures of Gjakova’s musical heritage: Qamili i Vogël (Little Qamil), whose contributions remain integral to the identity and continuity of this cultural tradition.